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EXTREME HIGHAERIAL - DAY (1987)
We’re soaring - 20,000 feet above this vast island earth
VERY HIGHAERIAL - DAY
15,000 feet now - we’re soaring over a dark emeraldocean -
HIGH AERIAL - ABOVEINDIA - DAY
4,000 feet, whooshingeffortlessly over cities, villages,
countryside, rail lines - all the mad glory of India
AERIAL - INDIA - DAY
2,000 feet, soaring, slowing, high above an ochre landscape
-way down there:
a TINYFIGUREpicks its way through the
Dotnet quit unexpectedly visual studio for mac version. fringes of a smalltrash heap by a dam AERIAL
- ABOVEFIELDNEAR DAM, KHANDWA - CONTINUOUS (DAY)
20 feet aboveground now, we’re following that tiny figure (a
SMALL BOY) from behind, as he scampersthrough the trash
EXT. RUBBISH-STREWN FIELDNEAR DAM, KHANDWA - CONTINUOUS
His TINYHANDS come into frame. Scavenging.
the same hands. Clearly a practised routine.
A YELLOWBUTTERFLYflutters onto the hand. The hand STILLS,
so as not to scare the butterfly.
Our tiny figure (SAROO, 5) stands up, ever so carefully.
we see him properly for the first time. Studying
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the butterfly. Entranced. Then he notices a few more.
he’s in a fieldentirelyfilled with their fluttering.
Delighted, he spreads his arms wide. He movesthrough the
butterflies - fluttering all around his head and shoulders.
Suddenly - a 5-year-old testing his powers - he ROARS SAROO
- laughing - the butterfliesscatter all around him
In the distance, up on the railway line that runs along the
ridge, a silhouette. Saroo’s BROTHER (GUDDU, 12) waves.
EXT. RAILWAYTRACKS - AFTERNOON
Saroo and Guddu hide in wait in the shrubsalong the track.
A huge COALTRAINlumberstoward them, picking up speed.
Guddu bursts out - clambers up onto the moving train.
Saroo runs alongside, terrified and at the same time loving
the thrill. His bare feet hurting on the rough ground.
Guddu effortlesslyswingshimself onto the open coal car.
Keep up! Keep up!
Guddu startsthrowing coal off the train, into the makeshift
net of Saroo’s shirt - mostly missing.
At any momentSaroocould go underthosegiant wheels.
Along the tracks: THREEMEN (SECURITY) give chase, shouting.
Guddu clambers down. The boys scramble for straylumps of
coal. But they don’t have much time; the men are gaining.
They peel off into the dense scrub, giggling as they sprint
well-trodden short-cuts; the men begin to recede, B/G.
EXT. KHANDWASTREETS - AFTERNOON
Bustling Khandwa. Colors, street stalls, people everywhere.
Saroo and Guddustrideconfidentlythrough all this, holding
their pregnant coal bellies in place. They know this routine.
EXT. KHANDWAMARKETS - SOONAFTER (AFTERNOON)
They dump the coal into a STREET VENDOR’s bucket.
As the vendorladles out a smallplastic bag of warm milk
from a bubbling vat, Saroonoticessomething to his side POV,
as in a dream:
in another vat, rich, deep-orange Jalebis
sizzle - an unattainablefeast that makesSaroo salivate.
Guddu .. Jalebis ..
Guddu looks at them too; for a beat we see beyond the boys’
deep hunger - they’re just kids, yearning for a sweet.
EXT. ROAD HOME TOGANESHTALAI - SOONAFTER (DUSK)
They run along the road home. Joyful, free. A job well done.
Turning into the final alley, they pass a house with a lurid
aqua wall, and a hedge of overflowing bougainvillea.
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All the while we keep our eye on that littleplastic bag.
INT. ONE-ROOM HOME - SOONAFTER (EVENING)
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Home is a dirt-floor shack. Kerosene lamp. Bare walls. Coal
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fire in the corner. Plastic dish tub. Subsistence living.